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New blog posts will be uploaded at 5:00 PM CST
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A writer's life during the golden age of television

I’m Jack Olesker, creator, writer, producer and director of more than twelve hundred episodes of television, eighteen motion pictures and seven published novels. I've written and created many animated series during The Golden Age of Television Animation including Care Bears, M.A.S.K., Heroes on Hot Wheels, The New Adventures of He-man, The Super Mario Bros. Super Show, Hello Kitty’s Furry Tale Theater, Popples, my co-creation of Mighty Morphin Power Rangers and many more.

It’s been my joy to have entertained countless millions of viewers who were young fans and stayed fans as they grew up and introduced their own children to many of my series continuing to air worldwide.

And now, through my A Writer’s Life…During the Golden Age of Television Animation blog, I’m going to take all of you on an amazing journey back to those shining years of animated television series. It’s a real-life journey that has everything – history, action, adventure, cliffhangers, comedy and drama, suspense, devastating disappointments and tremendous triumphs.

We who labor – and labored -- in the animation industry are forever indebted to you for being fans. So my A Writer’s Life…During the Golden Age of Television Animation blog is a labor of love dedicated to you. It’s my way of saying “Thank-you.” I promise it will be a fascinating journey.

Let’s go on it together!

- JACK OLESKER

I thank Jack Hanrahan and Eleanor Burian-Mohr for getting me their

springboards so promptly. Jack emphasizes they’re ready to write and presses on

about when they’ll hear from me. I say I’ll get back to him in a couple of days. He

doesn’t seem pleased so I add, “I’m dealing with a lot of writers.”

This pleases him even less and he says, “Not writers like us.”


I tell him, “I’m sure.” I realize subtlety is lost on him.


Eleanor touches his arm like a trainer would a circus bear as she says, “That’s fine. We look forward to working with you.”


I say, “Me, too.” That softens Jack. It’s clear he’s in this for money. Everyone’s got their own life, their own problems and motivations. It’s not my business. But I like that Eleanor is more attuned to the pure creative elements.


As they’re about to depart, Lori appears and Jack and Eleanor exchange

pleasantries with her. They leave. Lori comes in, closes my door and says, “Howard

visited you.” I nod. She says, “Andy must have reamed him. He can be crass.”


I ask, “Howard or Andy?”


She smiles. “Howard’s an acquired taste, but he delivers.”


I nod as I pat his storyboards with, “As I’ve learned. I’ve got some reading to do.”

Lori says, “You’ll have time on the plane.”


My eyebrows furrow and I ask, “What?”


“You’re going to Cleveland tomorrow with Andy.” And then like vapor, she’s

gone…

Shortly after lunch there’s another knock on my door. Jack Hanrahan barges in, demure Eleanor Burian-Mohr in tow. As I make a mental note to have a lock installed, Jack plops a sheet of paper on my desk and asks, “When do we hear back on these?”


I sarcastically offer, “Hello, Jack. Hello, Eleanor…


Eleanor smiles as she skirts alongside her partner. “Hello, Jack. Good meeting yesterday.”


Jack Hanrahan’s a big guy, Eleanor diminutive by comparison. She has a soft smile and soft features; pretty without having to work at it. I like her immediately.


It shouldn’t matter whether or not I like someone or what they look like. I want and need story springboards, treatments and scripts to help me get Care Bears back on track, and that should be that. But it’s more complicated than that.

After my having written a handful of scripts, lots of springboards, a few treatments, conducted a writers’ meeting, having and resolving a run-in with a senior staff writer and spending my morning in a grueling rewrite of another writer’s script, I’m realizing being a story editor is hard work.


There’s overlap with being a scriptwriter, but being a story editor complicates things. It means interacting with a sizable group of writers, each with their own skills, personality and issues. I like that. Writing is a solitary business – just me and my (newly christened) computer for eight or more hours a day. Having people occasionally around can be a good thing, depending on the people.


Five minutes into talking with Eleanor and Jack, I like having them around.

At my desk the next morning I got to work on the one Care Bears script I had in-house -- a leftover from the Sandy Fries era. It was dreadful, written by a writer who shall remain nameless. It had no warmth, no humor, no caring. And this was a series that was supposed to be about warmth, humor and caring. I started a page one rewrite.


As I said a silent prayer that my writers would start delivering story springboards the next day, there was a knock at my door. I called, “Come.” Howard opened it and stood tentatively. He offered a qualified “I was a tad tough on you yesterday.”


I granted, “I could have handled my solicitation of story springboards better.”


Howard corrected, “You mean your demand for story springboards?”


We laughed. He pulled a sheet of paper from his blazer and dr

opped it on my desk. “These will help.”


There were ten Care Bears springboards on the paper. Howard said, “They’re right on target.”


“I’ll bet they are.”


Then he said, “You’re going to do all right around here. Jean likes you.”


I leaned back. “I’d like to think talent has something to do with it.”


“It does. But so does who you know.”


As he started for the door, I said, “Then I guess you’ll do okay, too.” When he turned back to me, I said, “Andy likes you.”

Howard nodded, then added, “At least today.”



Then he left and I started reading his springboards. They were right on target.


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VIEW JACK'S BODY OF WORK 

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